May 2010
M T W T F S S
« Apr   Jun »
 12
3456789
10111213141516
17181920212223
24252627282930
31  

Day May 10, 2010

Planck’s View of Orion and Perseus

Via NASA:

An active star-formation region in the constellation Orion, as seen by Planck. This long-wavelength image covers a square region of 13 by 13 degrees (which is equivalent to 26 by 26 full moons). It is a three-color combination constructed from three of Planck’s nine frequency channels: 30, 353 and 857 gigahertz.

The giant red arc of Barnard’s Loop is thought to be the blast wave from a star that blew up inside the region about two million years ago. The bubble it created is now about 300 light-years across.

A low activity, star-formation region in the constellation Perseus, as seen by Planck. This long-wavelength image covers a square region of 13 by 13 degrees (which is equivalent 26 by 26 full moons). It is a three-color combination constructed from three of Planck’s nine frequency channels: 30, 353 and 857 gigahertz.

Images credit: ESA/LFI & HFI Consortia

Mice Show Pain on Their Faces Just Like Humans

From Wired, by Jennifer Welsh:

Mice in pain have facial expressions that are very similar to human facial expressions, according to scientists who have developed the “mouse grimace scale.” The pain expressions of mice could help researchers gauge the effectiveness of new drugs.

People have been using similar facial-expression coding systems in babies and other humans who are unable to verbally express their pain. “No one has every looked for facial expression of pain in anything other than humans,” said Jeffery Mogil of McGill University, co-author of the study published on May 9 in Nature Methods.

Most pain drugs fail in human trials, because pain-drug effectiveness in rodent trials is based on sensitivity to touch, which is not a good indicator of spontaneous pain, Mogil says. The mouse grimace scale adds another way to catalog pain and pain mitigation in laboratory animals.

“This is a true measure of spontaneous pain, a measure that was derived from the analogous human scale,” said Mogil. “If pain researchers would adopt this, we could get more accurate translations [of drug effectiveness] to humans.”

Mogil first noticed that mice can sense the pain of other mice in 2006. He saw that mice were communicating their pain visually, which had to be either by interpreting each other’s facial expressions or body movements. Mogil wondered if we could see whatever the mice were seeing.

To test for facial expressions of the mice, Mogil put them through mild to moderate pain tests (similar to a headache or swollen finger, easily treated with Tylenol or aspirin) and used high-definition cameras to monitor their expressions. Pictures from before and after the pain stimulus were shown to technicians at the lab of colleague Kenneth Craig.

The technicians used five facial expressions to determine if the mice were in pain: eye squinting, nose bulge, cheek bulge, ear position and whisker changes. While two of the expressions, whisker and ear movement, are impossible for humans to create, the other three were taken directly from the human facial expression of pain scale.

“It suggests that this is all a matter of evolution,” Mogil said.

The problem with pain is that it is both an emotional and a physical response. In humans, one area of the brain is associated with the emotional aspect of pain. When that area is destroyed by a stroke, patients report feeling sensations, but they don’t describe it as pain.

If this area is damaged in the mice, you can block most of the pained facial expressions without reducing other pain responses. “What we are seeing in the pain face is the emotional reaction, it could actually be the ‘I’m not happy face,’” Mogil said.

Mogil also tested his mouse grimace scale on mice who have migraines. His team could see changes in their facial expressions when they were probably having a migraine, and could see the expressions diminish when they were treated with migraine drugs.

To pet owners and Cute Overload readers, the discovery of facial expressions in other mammals won’t come as a surprise. It also wouldn’t have surprised Charles Darwin, who predicted that all mammals express emotion through their faces in his 1872 book The Expression of the Emotions in Man and Animals. His book also theorizes that these facial expressions are evolutionarily conserved.

Psychologist Amanda C de C Williams of the University College London thinks this study highlights the evolutionary hardwiring of facial expressions. “These expressions predate when mice and humans split on the evolutionary scale,” she says. “If there are characteristic expressions, then all mammals should share them.”

For a long time, scientists thought facial expressions were culturally and behaviorally determined. Studies of tribes in Papua New Guinea done by Paul Eckman (who is loosely the basis for the character Cal Lightman in the show Lie to Me) in 1972 found universally recognized facial expressions in completely isolated cultures and overthrew this theory. While Eckman didn’t do research on pain expressions, the mouse grimace scale beefs up his argument that facial expressions are not only ubiquitous across human cultures, but also all mammals.

“It suits us to think that animals don’t have a real depth of feeling or emotion, so it’s OK to treat them badly,” Williams said. “Farming practices aren’t very sensitive to animals’ feelings. It’s convenient to just hope they aren’t feeling these things.”

Images: Jeffery Mogil

House in Atagoyama

Via Dezeen:

Japanese studio a.un architects have completed a house clad inside and out in wood, located in Mie, Japan. Photographs are by Yuya Saito.

Details, here.

Pael House

From ArchDaily, by Nico Saieh:

Architects: Mauricio Pezo, Sofia von Ellrichshausen
Location: Concepcion, Chile
Client: Gabriela & Humberto Broitman
Collaborators: Konstantin Konig, Ivan Fierro
Structure: German Aguilera
Construction: Claudio Loosli
Sanitary project: Marcelo Valenzuela
Electrical project: Carlos Martinez
Model photography: Ana Crovetto
Plot area: 500 sqm
Built area: 287 sqm
Project date: 2007
Construction date: 2008-2009
Architecture Photographs: Cristobal Palma

We decided to test the archetypical features of the suburban house. This exercise was never as explicit as the conciliation required by the formalities of the case: a suburban dwelling in a neighborhood of detached houses. As the rest of the residences, this was a big house in a plot too small for such a size; a house that had to look like one (for the sake of the neighbors mental peace); a house made of “material” (a local expression referring to the unquestioned solidity of concrete constructions) that would never age (for the peace of mind of the owners).

In an almost automatic move we proposed a heavy and clumsy rectangular prism that echoed the cornered site tucked away at the end of the street; we projected an extension of the plot in two elevated dry patios; we planned a piece that unified the silhouette of four pitched roofs, not too different from the naïve outlines of a child’s drawing; we built a secondary pigmented concrete wall that was repaired several times during its crafted fabrication and that was build in layers so that each new one spilled itself over the previous one. “It’s the weeping house” a carpenter said while he varnished the boards of the furniture “perhaps the only way to avoid aging is to be born old”. Of the four infantile silhouettes only the one closest to the street does not have a base. It is a transversal block suspended over the little remaining air offered by the neighborhood’s square.

When Colomina talks about Graham’s inbuilt project she teaches us that “since each house in the urbanization faces an almost identical one across the street, its window becomes another identification screen, a kind of mirror”. In this case, the mirror occupies a place unreachable to the direct eye. It is a disproportioned showcase that allows intruders to enter only when they look from a distance.

Read the rest, here.

orfeu TRAILER_1

By nelson boles.

Memoryhouse: Lately (Deuxieme) [Inflated]

Screen captures from the new Memoryhouse video for Lately (Deuxieme) [Inflated], via pitchfork:

Follow

Get every new post delivered to your Inbox.

Join 46 other followers