Day March 1, 2010

Human Grid Cells Tile the Environment

From neurophilosophy, by Mo:

How does the brain encode the spatial representations which enable us to successfully navigate our environment?

Four decades of research has identified four cell types in the brains of mice and rats which are known to be involved in these processes: place cells, grid cells, head direction cells and, most recently, border cells. Although the functions of most of these cell types are well characterized in rodents, it remains unclear whether they are also found in humans. A new functional neuroimaging study, by researchers from University College London, published online in the journal Nature, now provides the first evidence for the existence of grid cells in the human brain.

Grid cells were discovered in 2005 by Edvard and May-Britt Moser of the Kavli Institute for Systems Neuroscience in Trondheim, Norway, using multi-electrode arrays chronically implanted into the hippocampus and surrounding regions of freely moving mice. Whereas place cells fire when the animal is in a unique, specified position in its environment, grid cells – which are located in the entorhinal cortex – increase their activity in multiple locations, firing periodically as the mouse traverses a space. When a grid cell’s activity is correlated with the animal’s position and trajectory, and then superimposed onto a map of the environment, it is found to define a repeating pattern of equilateral triangles which ’tiles’ the space (panel b, above). Each cell is activated whenever the animal’s position coincides with any vertex in this grid, but each has its own periodicity, and so ’tiles’ the environment using a unique scale.

Christian Doeller of UCL’s Institute of Cognitive Neuroscience and his colleagues first carried out a series of experiments in which grid cell activity was recorded from the brains of mice. This revealed several previously unknown properties of the cells. First, they found that grid cell activity is modulated by the direction in which the animals are moving, so that the increase in grid cell activity is greater when the animals move along the main axes of the grids. Further, they found that the activity of the cells is also modulated by running speed – the faster the animals moved, the more the quickly they crossed the virtual triangle boundaries encoded by the grid cells and, as a result, the shorter was the interval between each burst of activity.

The researchers reasoned that if grid cells exist in the human brain, the activity of the population as a whole should produce a signal that is large enough to be detected by functional neuroimaging. And, because the orientations of the triangular grids encoded by the cells in the population are all aligned to each other, the activation pattern should exhibit six-fold rotational symmetry. They therefore recruited 42 male participants, and scanned their brains while they explored a circular virtual reality environment consisting of a grassy plain bounded by a cliff and surrounded by mountains (panel a, above).

When they analyzed the fMRI data, the researchers found that the signal was modulated by direction and running speed, just as they had predicted. The grid orientation appeared to vary randomly between the participants, suggesting that the activity of grid cells is independent of landmarks in the surroundings. In each participant, however, the increase in entorhinal cortex activity was greatest when their movements through the virtual environment were aligned with the three main grid axes. That is, the signal exhibited 6-fold rotational symmetry; no activity with 4-, 5-, 7- or 8-fold symmetry was observed. The signal obtained during high speed movements was also stronger than the one recorded during slower movements (panels c and d, above).

While navigating the virtual environment, the participants were required to collect various objects and then return them to the same location. In their analyses, the researchers also found that the signal obtained was related to performance on this memory task – the more coherent the signal, the better was the participant’s performance. The regions from which neuronal activity was recorded overlaps extensively with brain areas known to be involved in encoding and retrieval of autobiographical memory. This provides some insight into the neural basis of this type of memory; it suggests that the brain may use information about both time and space when encoding life events.

Unlike most functional neuroimaging studies, which simply correlate behaviours with patterns of brain activation, this one is driven is hypothesis. The researchers made predictions about the signal they would expect to see, based on known properties of grid cell activity. They only provide indirect evidence that grid cells exist in the human brain, however. Obtaining solid evidence would involve implanting electrodes into the brain, which is unfeasible in healthy participants. Epileptic patients undergoing pre-surgical evaluation afford a unique opportunity to investigate neuronal function directly; perhaps researchers will try to investigate the cellular basis of spatial navigation in this situation.

Nevertheless, this study suggests that the human brain, like that of mice and rats, uses a regularly repeating grid-like geometry to encode representations of space. The hippocampus and surrounding areas are known to be the first to degenerate in Alzheimer’s Disease, so the findings present may also help to explain why disorientation is one of the first behavioural manifestations of the condition.

Man or Astro-man? Reboots for 21st Century

Via Wired, by Scott Thill:

The sonic space cadets in Man or Astro-man? mashed surf, sci-fi, punk, samples and Tesla coils into a jagged rock juggernaut, touring nonstop in the ’90s before burning out at the dawn of the ’00s. But the Alabama-based band has rebooted for the ’10s, and returns to interface live with fans on a U.S. tour next month.

Contrary to unpopular opinion, the quartet wasn’t just waiting around for developments in nanoscience to help repair its worn-out biocircuitry (although the band members are totally fine with that idea).

“We do have minor concerns regarding our aging process on planet Earth,” bassist and electronics smasher Coco the Electronic Monkey Wizard, known to his parental units as Robert DelBueno, told Wired.com in an e-mail interview. “Man or Astro-man? exploded rapidly, covering an exponentially greater area, but the edge collapsed on itself. And now it’s a dying star, the formation of a white dwarf perhaps leading to our own sonic black hole.”

Unlike other sonic black holes, including Wired.com’s infamous music sink, Man or Astro-man?’s cosmological end won’t suck, so to speak. Coco and his core crew — guitarist and vocalist Star Crunch (Brian Causey) and drummer Birdstuff (Brian Teasley) — rapid-fired many excellent recordings between 1993 and 2001, the year the band went into cryostasis.

Warped efforts like Intravenous Television Continuum and Made From Technetium merged instrumental surf mastery with smart samples from David Cronenberg’s Videodrome and other sci-fi exercises. “Samples? What samples?” Coco asked. “We’re avoiding the copyright can-o-worms, now that this internet thing exists.”

In fact, some of the band’s more classic snatches came from terrible B movies skewered by Mystery Science Theatre 3000. Man or Astro-man? famously covered the show’s theme song in 1994, and MST3K creator Joel Hodgson even performed with the band. The group also recorded music for animated television series like cult favorite Space Ghost Coast to Coast and the more accessible Adventures of Jimmy Neutron.

Ask Coco about the band’s favorite sci-fi film, and there’s no contest.

“There is only one that matters: The Human Vapor,” Coco said, citing Japan’s goofy 1960 Tokusatsu film, created by the Godzilla brain-trust of Ishirô Honda, Eiji Tsuburaya, and Tomoyuki Tanaka.

Man or Astro-man? harbored the same technolust for instruments, employing the standard guitars, drums and keyboards as well as more-archaic tools like a theremin and Tesla coil. For one song, the band reached deep into its pile of obsolete space junk to get creative.

“The theremin is pretty old, and I think the Tesla coil is even older,” Coco said. “But perhaps in the spirit of archaic, I’d have to say [the] oldest thing we’ve ever played is the ImageWriter II on ‘A Simple Text File,’” a song from A Spectrum of Infinite Scale that’s comprised of dot-matrix cacophony.

Through it all, Man or Astro-man? created some of the most compellingly fun music on the once-legendary label Touch and Go. The band members spent their lost decade working hard inside and outside the changing music industry: Star Crunch still runs indie label Warm Electronic Recordings in Athens, Georgia, while Birdstuff manages the Bottletree Cafe music venue and restaurant in Birmingham, Alabama. Meanwhile, Coco runs “a small grease-to-biodiesel operation” called Refuel Biodiesel in Atlanta.

After nearly a decade of hibernation, Man or Astro-man? will be returning to a space age that looks nothing like the one it left. The internet has changed everything, and not all for the better.

“Havoc has been [the] word,” Coco said. “Although, it seems that the one aspect the internet can’t seem to affect in a negative way is live performance. Seems like that is where it all began on this planet. Who knows? Maybe that is where it all will return.”

The Man or Astro-man? tour starts March 6 and will take the band to the South By Southwest Music and Media Conference in Austin, Texas, later that month.

Ants are First Animal Known to Navigate By Stereo Smell

Via BBC Earth News, by Matt Walker:

Desert ants in Tunisia smell in stereo, sensing odours from two different directions at the same time.

By sniffing the air with each antenna, the ants form a mental ‘odour map’ of their surroundings. They then use this map to find their way home, say scientists who report the discovery in the journal Animal Behaviour.

Pigeons, rats and even people may also smell in stereo, but ants are the first animal known to use it for navigation. Dr Markus Knaden and colleagues Dr Kathrin Steck and Professor Bill Hansson of the Max-Planck Institute for Chemical Ecology in Jena, Germany investigated how the desert ant Cataglyphis fortis navigates around its surroundings. Each day, individual ants will leave the nest entrance and travel up to 100m in search of food.

When they find some, they return straight home, somehow finding their tiny nest entrance again within a bleak, relatively featureless desert landscape. Scientists knew the ant uses a sophisticated array of visual cues to find much of its way home. But Knaden’s team has now found that the insect does much more than that.

First, they placed four odours marked A, B, C and D around a barely visible nest entrance. They then tested the ants by removing and placing them in a remote location, without a nest entrance but with the same four odours. The ants immediately headed to exactly where their nest should have been, confirming that they use the odours as olfactory landmarks.

When the odours were mixed up, the ants became confused and unable to navigate their way home. “They had learned the olfactory scenery,” Dr Knaden told the BBC. Ants with one antenna were also unable to navigate using more than one smell, confirming that the insects required two antennae, and an ability to smell in stereo, to find their way around.

Other animals both navigate using smell, homing in on a single odour, and may smell in stereo. In 2006 for example, rats were found to smell in stereo, being able to locate the direction of a food source with a single sniff. Many scientists suspect that pigeons also use smells to find their way home.

But until now, none have been found to do both, using a stereo sense of smell to create an odour map of the surrounding world. “I more and more get the feeling that whatever task these ants have to solve, they succeed,” says Dr Knaden. “The hostile desert seems to demand a navigation strategy combining every possible navigational cue.”

Wood Smoke

By Fredo Viola:

The music for this one came from an improvisation I did live, using 4 streams of infinite delay in Logic. The footage was shot using a point and shoot around my neighborhood in Woodstock, both on my feet and my bicycle. Like my other circular videos, it was made to be exhibited on my interactive site theturn.tv where it can be turned by clicking the panels.

God Save the Queen

From the guardian bike blog article, by Anna Glowinski:

From the catwalks to the bike lane, fashionistas get pedalling. Don’t resort to plastic bags: some brands will keep you dry without losing your cool, claims the woman behind Ana Nichoola.

Women’s cycle wear has received a lot of press in the last year, with new fashion brands popping up and trusted cycling brands bringing out inspired women’s ranges. The change is centred on image. I am sure that bike brands Assos and Gore have made leaps and bounds in technology, but the fastest movement is the fusion of function with form. Bicycles are becoming works of art, race teams compete for the hottest kit and commuter fashion has turned the streets of London into a catwalk.

There are always the moaners to bring the excitement down a peg or two, though. You know the type: the “real cyclists” who look down on this supposedly self-indulgent desire for beauty; or the lot who have ridden the same bike since they were born and swear you don’t need anything other than plastic bags on your feet and an old tent over your head when it’s wet.

When the sustainable transport charity Sustrans launched its Bike Belles site, complete with fashion pages, every cycling forum you could chance upon had “real cyclists” pulling it apart (even this bike blog had a pop). Yet it didn’t take much searching to find discussions by the same people about the lack of nice female cycle clothing.

I race bicycles, and this year I have been lucky enough to pick up sponsorship with Mule Bar, who have created a womens’ team. We are all super-competitive, but in the grand scheme of things, not that fast. Our sponsor consciously picked women with a “healthy” attitude to racing: at team meetings we will discuss a training plan, and maybe some bike parts, and then bike colours, and inevitably we will move on to whether a white skinsuit will show off cellulite, or what is the best mascara if you know you’re going to sweat.

The team’s love of the sport as well as fashion is a reflection of the changes that are happening in racing cycling. Rachel Atherton and Shanaze Reade, two of the world’s fastest female downhillers and BMXers, respectively, are snapped up for fashion shoots, further glamourising their sports. And it’s not a bad thing. Look at Victoria Pendleton – wearing mascara in a race doesn’t make her go any slower.

That’s just the tip of it. Cycling is not only a physical sport, it is also transport: at some point, you will turn up somewhere. Go on about plastic bag shoes all you like, but I won’t turn up to a bar wearing two Tesco Bags for Life.

Sometimes feeling that you look good is fundamental to your confidence: for example, in a job interview. Of course, cycling throws all sorts of practical considerations at you: you need your skin to breathe, to be covered if it rains, to be visible at day and night. (And before the “but they just wear normal clothes in Amsterdam” comments are flung my way, we’re not in Amsterdam. London is bigger, it has hills, we share the roads with motor vehicles, and even Dutch racing cyclists wear Lycra.) But it is increasingly possible to add a little feminine touch to your outfit, without sacrificing the fundamentals.

There is something good happening in cycling, with more women taking to it and looking better doing it. It is exciting and it is important. With the bicycle fashion industry having grown so quickly, and bicycle photography becoming highly competitive, I can’t wait to see the rise of the next cycling-inspired art form, and the role of women within that.

• Anna Glowinski is the founder of women’s cycle clothing brand Ana Nichoola.

Top photo: track cyclist Victoria Pendleton poses at Newport Velodrome in Wales, taken by Ryan Pierse/Getty.

What would Sabrina do?

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